Saturday, 24 December 2016

E. R. BRAITHWAITE - SAGACIOUS, RENOWNED BLACK WRITER


Image result for e r braithwaite


A tribute by M. I. Soqaga

The world and literary fraternity is reeling over the plaintive demise of one of the transcendent black writer the world ever knows.  E.R Braithwaite proves himself to be sagacious by the number of gargantuan work of literature he produced.  When you read or write about E.R. Braithwaite, it is important to realise that many pundits would submit that he did not really write to represent certain philosophy of black people.

E.R. Braithwaite wrote his books innocuously and not as a Black African or Black African in Diaspora.  As a child he was privileged to live in the family that was well educated and he also was educated.  Can we say Braithwaite cannot be celebrated as the black writer?  When you ponder his age and the time he began to write-to blacks which were completely immersed in anything pertinent to black, he could not be recognised as someone who was sympathetically attached to Black writing.
That’s why it will be startling to others who are not familiar with Black writing when Braithwaite literary work is appraised.  Literary critics and pundits like Raphael Mokoena and Leke Giwa although they have other views about him but they do appreciate his contribution in literature.  Raphael wrote “He wrote better than most educated whites and always showed that he was as good as any white man, but there was a problem, as he could not connect with Africans, I don't think he ever believed himself to have much in common with Africans. 
Moreover, Leke Giwa added “Thank you. A great writer, Braithwaite, but he always belonged to the western world as can be seen in his most famous book. He himself feels superior as an intellectual, looking down on almost everybody - but he made the world somewhat start to respect blacks a bit”

Nevertheless, Braithwaite contribution in literature is wonderfully significant.  One can reminisce about his famous book (1959) novel To Sir, With Love which was eventually made into a 1967 British drama film of the same title, starring Sidney Poitier.  However, in looking at Braithwaite’s literary life, can we say Braithwaite despite his fascinating writing and opinion about racism-was truly genuine about his Black race?  At his literary pinnacle, blacks all over the world were not recognized by the West.  Blacks in Africa were strongly under the control of European powers and also blacks in Diaspora were regarded as servitude.  Definitely, Africans throughout the world cannot be ashamed to celebrate the triumphal victory over racial discrimination and apartheid.  Apart from political freedom, in the past Africans were completely denied freedom artistically.  It is through their unflinching enormous efforts that they emerged prodigious.
During Braithwaite literary times, writers from Africa prove to be resoundingly excellent.  Sol Plaatje, Peter Abrahams, Chinua Achebe, Wole Soyinka, Ngugi wa Thiong’o, Leopold Senghor and many others were all illustrious and impressive.  Braithwaite contribution to African literature will tentatively be questioned.  By the fact that he accepted his status visit of “Honorary White” to South Africa during apartheid, will of course remain questionable.
In 1973, the South African ban on Braithwaite’s books was lifted and he reluctantly applied to visit the country.  He was granted a visa and the status “honorary white” which gave him significantly more privileges than the indigenous black population, but less than the whites.  He recorded the experiences and horror he witnessed during the six weeks he spent in South Africa in his book Honorary White.

Braithwaite’s literary contribution in the world will absolutely remain colossally important.  Avoiding Pan Africanist solidarity perspective about Africa and Africans, Braithwaite brilliance will be always respected.  As a black intellectual and academic, he illustrated to the world that colour of the skin cannot make one obviously sapient or superior.  Race and humanity are equal and it must always be in harmony.  Apparently, Braithwaite literary life will remain monumentally awe-inspiring and something proud to be celebrated.







BOOKS PUBLISHED BY BRAITHWAITE
To Sir with love  
Paid Servant   
Choice of Straws
Hurricane hits England    
 A kind of homecoming     
Solid lubricants and Surfaces.  
Reluctant Neighbours
 Lubrication and Lubricants

Monday, 19 December 2016

LOVE IS TO LIFE



LOVE IS TO LIFE

By Rufai Kaothar Atinuke

Love is to life
What a scent is to a rose
Love grows as one gives witness to it
Love gives and cares

When other gifts are falling
Love remains active and enduring
Love remains fulfilling
It never fails

Love is magic
Love to the point of self-sacrifice
It is love that causes the heart to pump
Love is stronger than death

It can conquer even the vile person
Love is not to be in words but in deeds
Love is being warm and caring
Love is magic

Love does not give room for hatred
Love gives sensation to the mind
Love gives honey to the soul
Love look for opportunities to feed the hungry, cloth the naked

Care for the sick
Life tastes bland and empty without love
Love is magic
Love hate animosity

Divine love is active not passive
Love does not behave in an unseemly manner
Practice compassion
Love has no limitation
Unconditional love is the best legacy

Wednesday, 14 December 2016

THE FASCINATING TITLES OF OMOSEYE BOLAJI






By Henry Ozogula

After getting over what might come across as shock over the many titles (books) published by African writer Omoseye Bolaji over the years, one would definitely be struck with how fascinating and intriguing many of the titles of his works are.

Perhaps you skip over such titles like The Termagant (his first published work of fiction), The ghostly adversary (one of his major novels), The subtle transgressor (his only play), Snippets, and Reverie (both works of poetry) - but this might still not prepare you for what to come. 

Especially the Tebogo Mystery series, the last four in the series, probably. Tebogo and the haka (can the title be appreciated in west Africa?), Tebogo and the epithalamion, Tebogo and the pantophagist (what!), Tebogo and the bacchae...yet once we actually read these books, we easily appreciate the creative titles. 



Oh, the joys of reading reviewers and critics! Pule Lechesa, a celebrated SA critic and writer, has published many books on Bolaji. In Bolaji in his pomp (2013) he brilliantly suggests that Peter Cheyney, a British writer who was at his peak many decades ago, has been a major influence on Bolaji as a writer.   

Speaking to Bolaji in one of his bases in Nigeria, I personally asked him about this, and was stunned when he said: "Lechesa is right, though he himself might not have imagined how much I liked Cheyney in my youth...indeed THREE of the titles of my own books were directly taken from Cheyney's works..." I checked, and found out that this is true. Bolaji's books - They never say when (1994), It couldn't matter less (2013) and the forthcoming Sorry you've been troubled (2017) are all old titles of Cheyney's books. Bolaji's books bearing these titles have nothing at all in common with Cheyney's works, it must be pointed out.  



It is remarkable though, a stunning example of the internationalism of literature! Bolaji, an African, partially revivifying the corpus and memory of Cheyney's works of decades ago, to the extent that even a cerebral modern critic like Achal Prabhala has been moved to revisit Cheyney's works...

In recent times, another fascinating book published by Bolaji is Windmills of the Dames (2014). No doubt an expert on Bolaji's writings, Pule Lechesa has again expatiated on this work:

 “What an intriguing title (Windmills of the Dames) by Bolaji. It immediately reminds us of the classical poem by celebrated poet Longfellow: “Though the mills of God grind slowly yet they grind exceeding sure”

This would suggest strongly that the columnist is implying that after centuries of undermining women (“dames”) by the world – until just over a hundred years ago, eg even in western countries women had very limited rights – women nowadays seem to be getting some sort of retribution (revenge) on men, with the latter bearing a lot of the burden these days.

By the same token, alternatively there is also the implication that women might also pay ultimately for whatever heartaches they are meting out to partners.

 


Additionally, literary pundits often point to Sidney Sheldon as a possible influence on Bolaji’s writing (as Wikipedia article on Bolaji suggests) One of Sheldon’s most famous books is Windmills of the Gods, which reminds us yet again of this particular title – Windmills of the Dames

We can be attracted, enthralled by many of the titles of books written by African writers - perhaps Arrow of God (Achebe), Why are we so blest? (Armah), Devil on the Cross (Ngugi), Abyssinian Chronicles (Moses Isegawa), Wedlock of the Gods (Zulu Sofola), Book of Not (Dangarembga) etc - but there can be no doubt whatsoever that Bolaji has turned out much more than what should be his own fair share of such intriguing titles in African literature.

Monday, 12 December 2016

THE ABYSSINIAN CHRONICLES

By Moses Isegawa





One of the greatest-ever works published by African writers




‘...tells a trauma from the inside’
-         THE GUARDIAN