OZOGULA ON THE CORPUS OF BOLAJI'S LITERARY WORK

Author: Henry Ozogula
Publisher: Eselby Jnr Publications, South Africa
Publication date: 2017

Bolaji’s books reviewed in this Work:

Impossible Love (2000)
The ghostly adversary (2001)
Tebogo’s spot of bother (2001)
People of the Townships (2003)
Ask Tebogo (2004)
Tebogo and the haka (2008)
Tebogo and the pantophagist (2010)
Tebogo and the Bacchae (2012)
Thoughts on Free State Writing (2002)
Molebogeng Alitta Mokhuoa (2004)
Cognoscenti (2016)
Sorry You've Been Troubled (2017)
The story of Collins Mokhotho (2000)
My life and literature (2007)
The subtle transgressor (2006)
Fillets of Plaice (2000)
Windmills of the Dames (2014)
Far Up! Far Out! Far More! (2014)

AN INTERVIEW WITH YEMISI OTASANYA

1   QUESTION: At what (young) age did you start getting the urge/itch to write, and did you have ambivalent feelings about this, then?

Yemisi Otasanya:I got the first urge to write at the age of 8. My mum is the very traditional type and every Saturday was general house cleaning. So, we usually had so many chores to handle. To take my mind off gardening and other chores (especially washing dishes), I would engage my mind in different fantasies. I would then create fairy tales in my mind with fiery dragons. Would imagine myself on space missions, as a time traveller, as a war hero in 11^th century British setting, during Robin Hood’s era. I also spent a lot of time reading biographies, history, fairy tales (written in both English and Yoruba). My mum made sure we read some fantastic Yoruba tales like Ajantala, Eru o bodo, Igbo Orumale. I also spent some of my savings on books by Sidney Sheldon, John Grisham, Harold Robbins, Jeffrey Archer, Stephen king, Frederick Forsyth. My dad’s small library had Sunset at Dawn, Things Fall Apart, World Atlas and Geography books, tons of weird books, gigantic dictionaries, Bibles and Korans. I spent most of the holidays reading. By the time I was done reading a book that succeeded in bringing up tears to my eyes, I had the strong urge to write like the author and make someone to also cry tears of joy. It was almost like one was inside the book.

2.     Which/what writers inspired you most as a child/young person? Who were your favourite writers then?How did you feel seeing your first published book - in print forthe very first time? And how did you react.

Yemisi Otasanya: I was inspired most by Wole Soyinka. I came across his book‘The Trails of Brother Jero’ and ‘The Lion and The Jewel’ in Literature Class. I prayed that God would grant me the opportunity to meet him in person and that prayer was answered. I sat a row behind him at a wedding. My seat was just behind his. I never got the courage to speak with him.  Wish I could go back in time. I also loved Achebe’s book ‘Things Fall Apart’.

It felt great to see my first book ‘Perfect Body Perfect Baby After Delivery‘ in publication. I said to myself, “now I’m an author and next is to be a best-seller.” It felt even better when some of my readers asked questions and their comments were superb.

3.     Do you know about pioneer female writers in Africa? Like Flora Nwapa, Zulu Sofola, and Miriam Tlali (South Africa)? They had to fight against many odds to get published in those days...do they inspire you?

Yemisi Otasanya: I am yet to read their books. I’ll have to do some research.

4   By the way, who are your favourite female African writers? And whatabout Eurocentric female writers who excite you?

Yemisi Otasanya: None at the moment.

5.     Till date, Wole Soyinka (since 1986) remains the only black African writer to win the Nobel Award for Literature. What are your thoughts about this?

Yemisi Otasanya:A well-deserved award. I would give him the award over and over if it was within my power to do so. The Nobel Award for Literature is not just about being an author, but one that has contributed to the development of mankind. Wole Soyinka has contributed immensely to the development of literature in Nigeria and Africa as a whole. His works in poetry, playwriting, fiction and non-fiction were the foundation of most of what we have today in Nigeria. Writers like Chinua Achebe  and Buchi Emecheta are also deserving Nobel laureates. I must nevertheless say that we have had equally superb authors since then. I believe the search is still on and the time will come, and is already here when an author of pure African descent will receive the grand award once again and this time, more glorious than before. I’m sure it will happen sooner than we hope.

6    What are your future plans as a writer - maybe your approach/theme to your next book?

Yemisi Otasanya: My future plan, which is more like my author vision, is to be a best seller, and the plan is to travel the road that would take me there.

My next book will be non-fiction. It is about the history of a great king of England who ruled between the late 15^th century to the early 16^th century. His work played a unique role in shaping the world and in the development of America. In short terms, his work has played a part in forming our politics, culture, faith and character. Apart from being a great King, he was and is still the best seller till date. Much is not known about him. He was also the King of France and this is a book I cannot write without delving into fluent French. Thus, I have enrolled for a French class and I believe I might have to travel to some of the sceneries just to get a better grasp of the life of this King.

* Otasanya is the author of the books, Perfect Body, Perfect Baby After Delivery; and

Above The Ether

EBEDI REVIEW 2016

Ebedi Review is a beautifully packaged publication that focuses on  literature, writers, books - and of course the pertinent Residency programme, based in Iseyin, Nigeria.   

The publication is edited by Obinna Udenwe (the highly skilled author of Satans and

Shaitans) and Paul T Liam, assiduous poet and essayist. The founder and patron of the Residency and journal is Wale Okediran.

Okediran, who is also one of Africa's top writers and authors,looms large, even in this publication. Author of well over a dozen  fine works, even in his shorter pieces and contributions (many of them published here) he continues to show what a dexterous writer he is.

This is how Okediran rounds off his trip to Uganda, for example: "... I savoured the warm fellowship of my fellow writers under the wonderful, starry Kampala night, a delicious drum stick in my mouth, all the sweat and hard work of running the Ebedi

Residency...dissolved and wafted away in the embers of that lovely night." (Page 66).      

The variety of the contributions here is staggering - Nigeria apparently has countless poets, writers, essayists, academics et al! Yet the publication, and editors have done

their best to publish contributions from all over Africa, though the majority of work is from Nigeria and west Africa. We have a lovely piece written by Barbara Oketta, from east Africa (page 25); and from southern Africa we have contributions from Raphael Mokoena (Lesotho)and Tiisetso M. Thiba (South Africa).   

Yet Paul Liam, the Poetry Editor of Ebedi Review, writes: "Although I received so many

beautiful poems, I regret that not all could be included in this publication because of the limited space allocated to poetry..." (Page51)

There are scores of poems, general essays, reviews, reflections,vignettes et al, published in the Review. It is touching that at least two deceased, iconic writers are celebrated here: Flora Nwapa, and Elechi Amadi. 

Many of the general essays or presentations bristle with authority and authenticity. Nel Ibuola eg reviews Tendai Huchu's work impressively; as does Mokoena with Bolaji's work, Cognoscenti.       

Abubakar Othman, from an intellectual perspective, makes cogent points as he writes on Creative Writing, Globalization, and Residencies. A sample: "But not all writers are

academics or scholars, many of them are professionals in other fields who are gifted with creative talent. They may not need tutoring or mentoring, but certainly they would need socialization and to acclimatize in the creative writing environment. 

"The idea of a Residency is to offer such services to writers from different educational and professional backgrounds... Writers need a forum for informal self-assessment," (page 69).    

Ebedi Review, which has packaged and distilled the collective talents and experiences of sundry writers and artists here, more than whets the appetite.

by Paul Lothane

E. R. BRAITHWAITE - SAGACIOUS, RENOWNED BLACK WRITER

A tribute by M. I. Soqaga

The world and literary fraternity is reeling over the plaintive demise of one of the transcendent black writer the world ever knows.  E.R Braithwaite proves himself to be sagacious by the number of gargantuan work of literature he produced.  When you read or write about E.R. Braithwaite, it is important to realise that many pundits would submit that he did not really write to represent certain philosophy of black people.

E.R. Braithwaite wrote his books innocuously and not as a Black African or Black African in Diaspora.  As a child he was privileged to live in the family that was well educated and he also was educated.  Can we say Braithwaite cannot be celebrated as the black writer?  When you ponder his age and the time he began to write-to blacks which were completely immersed in anything pertinent to black, he could not be recognised as someone who was sympathetically attached to Black writing.

That’s why it will be startling to others who are not familiar with Black writing when Braithwaite literary work is appraised.  Literary critics and pundits like Raphael Mokoena and Leke Giwa although they have other views about him but they do appreciate his contribution in literature.  Raphael wrote “He wrote better than most educated whites and always showed that he was as good as any white man, but there was a problem, as he could not connect with Africans, I don't think he ever believed himself to have much in common with Africans. 

Moreover, Leke Giwa added “Thank you. A great writer, Braithwaite, but he always belonged to the western world as can be seen in his most famous book. He himself feels superior as an intellectual, looking down on almost everybody - but he made the world somewhat start to respect blacks a bit”

Nevertheless, Braithwaite contribution in literature is wonderfully significant.  One can reminisce about his famous book (1959) novel To Sir, With Love which was eventually made into a 1967 British drama film of the same title, starring Sidney Poitier.  However, in looking at Braithwaite’s literary life, can we say Braithwaite despite his fascinating writing and opinion about racism-was truly genuine about his Black race?  At his literary pinnacle, blacks all over the world were not recognized by the West.  Blacks in Africa were strongly under the control of European powers and also blacks in Diaspora were regarded as servitude.  Definitely, Africans throughout the world cannot be ashamed to celebrate the triumphal victory over racial discrimination and apartheid.  Apart from political freedom, in the past Africans were completely denied freedom artistically.  It is through their unflinching enormous efforts that they emerged prodigious.

During Braithwaite literary times, writers from Africa prove to be resoundingly excellent.  Sol Plaatje, Peter Abrahams, Chinua Achebe, Wole Soyinka, Ngugi wa Thiong’o, Leopold Senghor and many others were all illustrious and impressive.  Braithwaite contribution to African literature will tentatively be questioned.  By the fact that he accepted his status visit of “Honorary White” to South Africa during apartheid, will of course remain questionable.

In 1973, the South African ban on Braithwaite’s books was lifted and he reluctantly applied to visit the country.  He was granted a visa and the status “honorary white” which gave him significantly more privileges than the indigenous black population, but less than the whites.  He recorded the experiences and horror he witnessed during the six weeks he spent in South Africa in his book Honorary White.

Braithwaite’s literary contribution in the world will absolutely remain colossally important.  Avoiding Pan Africanist solidarity perspective about Africa and Africans, Braithwaite brilliance will be always respected.  As a black intellectual and academic, he illustrated to the world that colour of the skin cannot make one obviously sapient or superior.  Race and humanity are equal and it must always be in harmony.  Apparently, Braithwaite literary life will remain monumentally awe-inspiring and something proud to be celebrated.

BOOKS PUBLISHED BY BRAITHWAITE

To Sir with love  

Paid Servant   

Choice of Straws

Hurricane hits England    

 A kind of homecoming     

Solid lubricants and Surfaces.  

Reluctant Neighbours

 Lubrication and Lubricants