Wole Soyinka's THE LION AND THE JEWEL

African Nobel Laureate in literature, Wole Soyinka, wrote this book when he was still a very young man, and the work showcased what a literary genius he already was. The ingredients that would make the playwright one of the most acclaimed in the world is present here, as well as the dazzling, rich language that taps into African lores so well. There are themes of mortality in this play, and the cunning of the king; contrasted with the impudence, naivety allied to arrogance of the youth. Soyinka explores these, and others here as (western) modernity is encroaching on a rural setting which however still has massive echoes of the past. This is a brilliant work that one can read again and again.
- Henry Ozogula

Tlhabane Ya Makgowa

Book: Tlhabane Ya Makgowa

Author: Tiisetso Thiba

Genre; Setswana novel

The author, South African fluent poet, Thiba wrote this book based on what is happening in the real life. And he takes us step by step through the life of hamlet lad Modisagaarekwe;  who was born in one of the village called Phaposane near Ganyesa  in North West Province. Modisagaarekwe was a young man who was collected, meek and very responsible from a tender age. And his parents raised him well that is why when he started working, and when he visited home, he was always handful. Because he used to come home with groceries and clothes for his parents from Gauteng where he was working in a post office, and that never changed when he got a lucrative job at Impala Mine in Rusternburg. Neighbours were pleased to see what this young man is doing for his parents, and they wished their boys could do the same as Modisagaarekwe.

Furthermore those neighbours were so hopeful that this lad will marry one of their beautiful daughters from his village soon. And things turned nasty when he went out and married drop dead gorgeous Gadifele from Gamanyai, just a few kilometres from Phaposane. After his cultural marriage in Phaposane when he greeted his neighbour none of them greeted him back, they were so jealous and full of loathing, wondering what does Gadifele has that their daughters don’t have.

The title of the book is a nick name of the Platinum city Rustenburg. Most of the guys who work in Rustenburg, when they visit their homes, wives and kids and parents, they used wear nice clothes and smell nice. And those unemployed guys back at home they were disliking them because they were getting lots of love from the ladies in the villages because they will always be cleaned, wearing flasham shoes, brandwood trousers, white shirt, and leather jacket when the weather is unfriendly cold while their fishtale cuts full of glycerine and when they pass the streets, others will call them “Makgowa” meaning a person who got money and style.

Modisagaarekwe was maturing very well and his parents were very proud of him, because swiftly they were blessed enough and had two sons with his wife Gadifele. While working in Rustenburg he got attracted to a cute lady called Kedisaletse. And Kedisaletse stolen Modisagaarekwe’s heart and managed to make him forgot his parents, his wife and sons. Though he promised his uncle Thulo that he will never change when he got to Rustenburg because he knows what he wants in life. Rustenburg girl Kedisaletse used muthi to make Modisagaarekwe to love her and buy her a house full of furniture, and a car. Take care of her daughter of not his. And make him marry her to take all his money from Impala and his assets as well. Kedisaletse managed this by help of her mother and sister, none of them were not married but they own a big house with the same trick they used to trap guys most especially from villages and makes them forget where are they coming from. Most of the ladies in Tlhabane Ya Makgowa apply that trick for guys and win their hearts and pretend to love them though they are in a mission to fulfil it. And you will be surprised to see young lady driving a German machine and she is single, though others are more educated and use their education to succeed in life with or without boyfriend or marriage. Modisagarekwe went back home with nothing after fulfil Kedisaletse’s mission and they had only one child together beside first born of Kedisaletse. He was forced out in his big house by police after Kedisaletse allegedly claimed that he had raped her, and after few days Modisagaarekwe spent in Jail her Rustenburg wife decided to drop the charges and asked the police to release him and never allow him to come closer to their house in Tlhabane as it was final that they are divorced. He arrived home in Phaposane with nothing to show that he ever worked a lucrative job. He was tattered like a web spider and smelly like a pig kraal. It was a shame and he was accepted back by his family and both his parents were late because of his unpleasant deeds and shame he put in his family. Gadifele and her sons never allowed their father to live with them again fearing the deceases and embarrassment. Modisagaarekwe sons were so successful in life. Modisagarekwe was regretting everything that happened in Rustenburg and wished he could be dead at once because he was now the laughing stock of the village, no longer smelling nice and dressing fine clothes like he used to be. What a pity!!

OZOGULA ON THE CORPUS OF BOLAJI'S LITERARY WORK

Author: Henry Ozogula
Publisher: Eselby Jnr Publications, South Africa
Publication date: 2017

Bolaji’s books reviewed in this Work:

Impossible Love (2000)
The ghostly adversary (2001)
Tebogo’s spot of bother (2001)
People of the Townships (2003)
Ask Tebogo (2004)
Tebogo and the haka (2008)
Tebogo and the pantophagist (2010)
Tebogo and the Bacchae (2012)
Thoughts on Free State Writing (2002)
Molebogeng Alitta Mokhuoa (2004)
Cognoscenti (2016)
Sorry You've Been Troubled (2017)
The story of Collins Mokhotho (2000)
My life and literature (2007)
The subtle transgressor (2006)
Fillets of Plaice (2000)
Windmills of the Dames (2014)
Far Up! Far Out! Far More! (2014)

AN INTERVIEW WITH YEMISI OTASANYA

1   QUESTION: At what (young) age did you start getting the urge/itch to write, and did you have ambivalent feelings about this, then?

Yemisi Otasanya:I got the first urge to write at the age of 8. My mum is the very traditional type and every Saturday was general house cleaning. So, we usually had so many chores to handle. To take my mind off gardening and other chores (especially washing dishes), I would engage my mind in different fantasies. I would then create fairy tales in my mind with fiery dragons. Would imagine myself on space missions, as a time traveller, as a war hero in 11^th century British setting, during Robin Hood’s era. I also spent a lot of time reading biographies, history, fairy tales (written in both English and Yoruba). My mum made sure we read some fantastic Yoruba tales like Ajantala, Eru o bodo, Igbo Orumale. I also spent some of my savings on books by Sidney Sheldon, John Grisham, Harold Robbins, Jeffrey Archer, Stephen king, Frederick Forsyth. My dad’s small library had Sunset at Dawn, Things Fall Apart, World Atlas and Geography books, tons of weird books, gigantic dictionaries, Bibles and Korans. I spent most of the holidays reading. By the time I was done reading a book that succeeded in bringing up tears to my eyes, I had the strong urge to write like the author and make someone to also cry tears of joy. It was almost like one was inside the book.

2.     Which/what writers inspired you most as a child/young person? Who were your favourite writers then?How did you feel seeing your first published book - in print forthe very first time? And how did you react.

Yemisi Otasanya: I was inspired most by Wole Soyinka. I came across his book‘The Trails of Brother Jero’ and ‘The Lion and The Jewel’ in Literature Class. I prayed that God would grant me the opportunity to meet him in person and that prayer was answered. I sat a row behind him at a wedding. My seat was just behind his. I never got the courage to speak with him.  Wish I could go back in time. I also loved Achebe’s book ‘Things Fall Apart’.

It felt great to see my first book ‘Perfect Body Perfect Baby After Delivery‘ in publication. I said to myself, “now I’m an author and next is to be a best-seller.” It felt even better when some of my readers asked questions and their comments were superb.

3.     Do you know about pioneer female writers in Africa? Like Flora Nwapa, Zulu Sofola, and Miriam Tlali (South Africa)? They had to fight against many odds to get published in those days...do they inspire you?

Yemisi Otasanya: I am yet to read their books. I’ll have to do some research.

4   By the way, who are your favourite female African writers? And whatabout Eurocentric female writers who excite you?

Yemisi Otasanya: None at the moment.

5.     Till date, Wole Soyinka (since 1986) remains the only black African writer to win the Nobel Award for Literature. What are your thoughts about this?

Yemisi Otasanya:A well-deserved award. I would give him the award over and over if it was within my power to do so. The Nobel Award for Literature is not just about being an author, but one that has contributed to the development of mankind. Wole Soyinka has contributed immensely to the development of literature in Nigeria and Africa as a whole. His works in poetry, playwriting, fiction and non-fiction were the foundation of most of what we have today in Nigeria. Writers like Chinua Achebe  and Buchi Emecheta are also deserving Nobel laureates. I must nevertheless say that we have had equally superb authors since then. I believe the search is still on and the time will come, and is already here when an author of pure African descent will receive the grand award once again and this time, more glorious than before. I’m sure it will happen sooner than we hope.

6    What are your future plans as a writer - maybe your approach/theme to your next book?

Yemisi Otasanya: My future plan, which is more like my author vision, is to be a best seller, and the plan is to travel the road that would take me there.

My next book will be non-fiction. It is about the history of a great king of England who ruled between the late 15^th century to the early 16^th century. His work played a unique role in shaping the world and in the development of America. In short terms, his work has played a part in forming our politics, culture, faith and character. Apart from being a great King, he was and is still the best seller till date. Much is not known about him. He was also the King of France and this is a book I cannot write without delving into fluent French. Thus, I have enrolled for a French class and I believe I might have to travel to some of the sceneries just to get a better grasp of the life of this King.

* Otasanya is the author of the books, Perfect Body, Perfect Baby After Delivery; and

Above The Ether

EBEDI REVIEW 2016

Ebedi Review is a beautifully packaged publication that focuses on  literature, writers, books - and of course the pertinent Residency programme, based in Iseyin, Nigeria.   

The publication is edited by Obinna Udenwe (the highly skilled author of Satans and

Shaitans) and Paul T Liam, assiduous poet and essayist. The founder and patron of the Residency and journal is Wale Okediran.

Okediran, who is also one of Africa's top writers and authors,looms large, even in this publication. Author of well over a dozen  fine works, even in his shorter pieces and contributions (many of them published here) he continues to show what a dexterous writer he is.

This is how Okediran rounds off his trip to Uganda, for example: "... I savoured the warm fellowship of my fellow writers under the wonderful, starry Kampala night, a delicious drum stick in my mouth, all the sweat and hard work of running the Ebedi

Residency...dissolved and wafted away in the embers of that lovely night." (Page 66).      

The variety of the contributions here is staggering - Nigeria apparently has countless poets, writers, essayists, academics et al! Yet the publication, and editors have done

their best to publish contributions from all over Africa, though the majority of work is from Nigeria and west Africa. We have a lovely piece written by Barbara Oketta, from east Africa (page 25); and from southern Africa we have contributions from Raphael Mokoena (Lesotho)and Tiisetso M. Thiba (South Africa).   

Yet Paul Liam, the Poetry Editor of Ebedi Review, writes: "Although I received so many

beautiful poems, I regret that not all could be included in this publication because of the limited space allocated to poetry..." (Page51)

There are scores of poems, general essays, reviews, reflections,vignettes et al, published in the Review. It is touching that at least two deceased, iconic writers are celebrated here: Flora Nwapa, and Elechi Amadi. 

Many of the general essays or presentations bristle with authority and authenticity. Nel Ibuola eg reviews Tendai Huchu's work impressively; as does Mokoena with Bolaji's work, Cognoscenti.       

Abubakar Othman, from an intellectual perspective, makes cogent points as he writes on Creative Writing, Globalization, and Residencies. A sample: "But not all writers are

academics or scholars, many of them are professionals in other fields who are gifted with creative talent. They may not need tutoring or mentoring, but certainly they would need socialization and to acclimatize in the creative writing environment. 

"The idea of a Residency is to offer such services to writers from different educational and professional backgrounds... Writers need a forum for informal self-assessment," (page 69).    

Ebedi Review, which has packaged and distilled the collective talents and experiences of sundry writers and artists here, more than whets the appetite.

by Paul Lothane