Tuesday, 22 September 2015

BECAUSE OF WOMEN. By Mbella Sonne Dipoko





"Perhaps the unusual thing about this African author, and his books - published some fifty years ago - is that he was sexually explicit in his writings at a time this was rare in African literature. And so it is in this particular work. I did some research on the author (he was born in, and died in Cameroon) and learned that during his lifetime he did on a personal level relish taking his pleasure from/with women. Dipoko actually boasted in an interview: "I became for many years what you might call a travelling lover, a dreamer searching for God between women's thighs... I was like an angel stuffing recoil-less erections into just where they are most needed - into the fleshy folds of winter!...each divine thrust was like stuffing your women with yet another trump card of desire..." So one might say the author somewhat set out his own stall unapologetically; and this reflected in his fiction, and poems. There is no doubt that he is a fine writer though, as this novel shows. And Dipoko depicts a particular community very well, and the people. It is a rural ambiance, and we get to read about the usual goings-on in the village, for men and women, intrigues, affairs, pastimes, drawing water from the river, politics etc. The ordinary people are focused on, and how life steadily and stealthily goes on. As for the sex, it is graphic enough without being vulgar, and the intercourse is mutually enjoyed...with the physical delights being stressed "life was so sweet and wonderful because of women" - Eric

GARLANDS FOR THAMI MAZWAI





Veteran journalist Dr Thami Mazwai was honoured with glowing tributes from fellow contemporaries at a recent luncheon held in his honour at the SAB World of Beer Heritage Centre in Johannesburg September 12.

Boasting a sterling journalism career spanning more than 40 years, Mazwai has been recognizable figure and a leading light in the South African media industry, local political landscape as well as an outspoken proponent of black empowerment (BE).

An array of celebrated black journalists lined up to bestow praises on Mazwai at the event, whose highlight was a decision to publish a book chronicling the stalwart’s  illustrious career and other aspects of life as media activist and BE campaigner.
Welcoming guests, former City Press political editor Sello Sekola  paid tribute to the father of Black Consciousness philosophy Steve Biko as well as media personalities and journalists who recently went the way of  flesh – such as former City Press and Sowetan senior journalist Mike Ndlazi, former World and Weekend World and Rand Mail journalist maSophie Tema and Elizabeth Manana Ndulula, long-time editorial secretary at World, Post Transvaal and Sowetan.
Mazwai-lifetime friend and veteran journalist Joe Thloloe told the gathering that their association stretched to more than 50 years ago. Heremembered recruiting students for the Pan Africanist Congress those days, including explaining to Mazwai what Pan African stood for in the context of South African politics and persuading him to join the liberation struggle.
Mazwai’s career as a journalist started 1969, having joined the Golden City Post as a cub reporter at the time. He had been expelled from the University College of Fort Hare the previous year. He was detained in June 1981 for interviewing one of the June 1976 student leaders Khotso Seatlholo, after which he refused to give evidence and was sent to jail for 18 months - in addition to the eight months already spent in detention.
He is the former news editor of Post and later Sowetan, where he also served as Day Editor. He holds an honorary doctorate from Rhodes University.
Other achievements include also being the owner of the defunct Enterprise magazine; former director of small business at the Univesity of Johannesburg and current resident executive at Wits Business School.
Thloloe, who went to prison for his political activities in 1963, recalls: "I came back from prison as a member of PAC ‘s Viljoenskroon branch. Mazwai came back also come back from Robben Island as a journalist. Our life after these experiences was to enrich sheeben queens. I drank just a bit. And Thami had the same problem.”
Of course, drinking “just a bit” was a real understatement, considering how journalists of the time lived for the bottle and often starting their mornings almost goofy-eyed. Hardly surprising then that both Thloloe and Mazwai launched their working careers right at the source of their drinking troubles – at the liquor store.
Both would inevitably report for duty barely sober and much less leave work in steady feet.
"From working for the municipality-owned bottle store, we went on to become Data Capturers, and we both stopped drinking. Both later joined The World and Weekend World, and got involved in the activities of the Union of Black Journalists. It is very sad to see the Media Workers Association of South Africa in the state it is now.
"We became targets of the system. We were detained and tortured, and even today Mazwai is still in the forefront of that struggle of fighting for the black community. He has being invited as a visiting professor for the University of the Western Cape. He is still a brother to us and the black community,” Thloloe summed up their parallel lives with nostalgia.
Former City Press Mathatha Tsedu said he came from the then Northern Transvaal, now Limpopo province, reporting first for Post Transvaal and later Sowetan under news editor Mazwai . Tsedu said the late Ndulula served as a link between Mazwai and the newsroom at both papers. He said Ndulula, a highly competent  and empathic Dictaphonist, was a great and ever-reliable help to journalist who filed from outlying areas as she would step in to help with timely grammatical corrections during phone-in sessions.  
“I worked with Bra Thami in two ways, both as reporter and as a fellow union activist at the Writers Association of South Africa. He came to lunch at a union branch in Limpopo. The lunch happened at Dan Langa's house. Thami became the treasurer of the union, and there was no holy cows during his stint. The union used different means to access funds from the International Federation of Journalists.
"The apartheid police banned meetings of WASA. Bra Thami was very strict and would always question the role of liberals in the struggle. I remember this very well. Mike Tissong was around that time in those meetings. When Bra Thami wanted a story, you just had to deliver. I remember the day  Mosibudi Mangena being released from prison. At the time, the release of a political activist from prison was a big story. Thami wanted the story of Mangena’s release to be written as soon as possible to ensure that Sowetan  was not scooped by other newspapers."
Tsedu recalled Mazwai saying that he had messed-up his front page after he(Mathatha) was briefly detained and released the same day. Mazwai fought for his salary to be paid while he was banned and in detention. Mazwai was indeed at the forefront of the battles of black journalism.
Journalist-turned-entrepreneur Morakile Shuenyane said one undeniable thing about Mazwai was that “he is a man of essence”.  He said there were two factors which nurtured Mazwai's life:  "It is who you are born. That is used to shape someone’s essence and the case of many people.”
 Shuenyane said the other key element was audacity, Mazwai was no doubt courageous. “ I remember the days of the World newspaper when Thami used to say that he is writing a front-page story and nobody in the newsroom would beat him for the cover of the front page. He would boast that I am the man! Thami was first a Black man, second a journalist."
Shuenyane praised Mazwai for changing Sawubona to a publication of black business. He added that even Enterprise Magazine, a business publication once owned by Mazwa, pushed the black agenda. According to Shuenyane, Enterprise magazine was a black project and championed the agenda of black community in business.
Bokwe Mafuna, founder of the Union of Black Journalists who also worked at the now-defunct Rand Daily Mail, said he was happy to speak at the occasion to honour Mazwai. He said the Mazwai event was an opportunity to focus on the development of journalism in South Africa. He urged fellow journalists to follow the example of stalwarts like PQ(Percy Qoboza).
Mafuna said he came from Mahikeng to join the Rand Daily Mail. He said he was a migrant worker, selling sweets on the trains before joining trade unionism. He said was not educated and did not even have JC (Grade 10).
"I said I am coming in. It is good that today we are able to express the pain that we are feeling. I did not know the Afrikaans language and Ike Segola helped me to do court reporting in the Rand Daily Mail. We were all separated in some little cluster. I was James Mafuna and changed to Bokwe because of the Black Consciousness Philosophy."
Mafuna remembers how his picture won an award, but it was not credited to him but to someone else.  "I could not do anything. It was the apartheid system in the newspapers. The police would ask for  pass book. We were not registered at the Rand Daily Mail. It was a situation that made us look different from other journalists. We realized that there was a need to be organized and ours was a political struggle.
"The thinking and feeling behind the Union of Black Journalist came as a result. We need to record our our history. Black journalists need to record this rich history of the struggle for the next generation; the richness of our experience in this country. We are creating history. I worked on radio overseas. I have been taking pictures. Malcom X said we must learn from the Devil. The problem with us, black people, is that we don’t record these things. We still need to catch-up. I took pictures of Steve Biko and worked with him but I don’t have these pictures today. We should be on each other’s shoulder to progress as black people."
Joe Mdhlela, former journalist who worked with Mazwai on the Sowetan, said there were many things he had learned from Mazwai. In his time, Mazwai worked very hard, and even now he was still the same workhorse. Mdhlela said he still regarded Mazwai as a first-rate journalist.
"We need this hard tough master. Yes, it is almost difficult to please everybody all the time. Mazwai is a compassionate person. He is a thread of good journalism; a hard taskmaster. He expected others to be self-driving. He always initiated the breaking of good stories. He was a leader. He showed the country that every black child is capable of becoming anything he wants to be despite difficulties."
Former business-journalist-and –newspaper-executive Mzimkhulu Malunga said thanked Mazwai for where he was today in life. He knew Mazwai since 1989 when he hired him at the Sowetan as a business journalist.
Willy Bokala, former World journalist and Sowetan news editor, said he got into the newspaper through the back door. He said the then World sports editor Leslie Sehume had asked him to report on local football in White City before PQ intervened and asked him to join the newsroom as news reporter instead. Before that, he was worked as Telex operator. He said Mazwai trusted as he sent him to dangerous assignments like the June 1976 upsurge.
Len Kalane said he implemented to good effect what Mazwai taught him in journalism. He said he knew Mazwai for 42 years. Mazwai was the chief reporter the first time he met him at the World.
 Mazwai knew how to write good stories, Kalane said. He hoped that South Africa would remember the role Mazwai played in journalism. He was a tough master and the best-ever news editor in the country.
Professor Sipho Seepe said Mazwai re-invented himself from being a journalist to a business person, intellectual and scholar. Seepe said Mazwai and his colleagues looked at South Africa through through the prism of blackness.
Gabu Tugwana, also a veteran sports journalist and one the former editors of the defunct New Nation, said he joined journalism through Mazwai, who had played an important role in his life.

"I am here because of bra Thami. I want to take this opportunity to thank you."

Mazwai’s protégé Len Maseko gave a book to Mazwai as gift in gratitude for recruiting him as a 21-year-old – his first job – back in 1980 on the Post Transvaal.

The event was organised by a group of Independent veteran journalists with the kind sponsorship of the SAB World of Beer Heritage.

Friday, 18 September 2015

TIISETSO THIBA's DEBUT BOOK!

Title: LET'S TAKE A WALK MAMA




This collection of poems written by Tiisetso M Thiba encompasses poems written from various motions and seasons, by learning how life unfold its self and treat the living soul. Life is a precious thing, though is precious sometimes it can make folks tattered, make them love, loathe, smirk and prank at point of times. This line simply takes you through the book and grants you a light of what book entails.

To those in the know of literary fraternity, there is a frisson of palpable excitement as the book comes into fruition. Tiisetso Thiba the author is a close to born a poet as any wordsmith can be. And he writes his poems from intrinsic motivation, influenced by manifestations in his surroundings. One can say this book is a special one for the author because it comprises lots of affection, sorrows, ebullient and expression of inner being. 

The author doesn’t wary away to write about, politics state, and milady that fading society and xenophobia’s that takes place in countries frequently and tar the world apart. But on this book he verdict to make it personal and it is a mirror of a society because anyone can relate to it.And most importantly I would like to dedicate my sincere gratitude to my Brothers and Sisters, my lovely Parents and friends for their loyal support. God loves us all.

Thiba is a smooth fluent effortless poet, combining Eurocentric standard verses with African authenticity. Over the years his multi-faceted appeared in many newspaper, magazines, and journals and liberally on the internet.

Monday, 14 September 2015

FREE STATE POETS ENCHANT DURBAN






By Mphutlane wa Bofelo 

Free State has some of the most prolific and finest writers in South Africa but in the past they were seldom given enough national acknowledgement and platform to showcase their work in various parts of the country. 

Thankfully as a result of the superb talent and literary achievements of several Free State born writers both based in the province and in other provinces as well as efforts of platforms such as Free State Writers and the Bloem Poetry Movement, many people across South Africa and internationally are beginning to take note of and interest in writers and poets from the Free State.

One of the exceptional literary activists from the province, Bloemfontein-based poet and journalist, Raselebeli 'Magic' Khotseng (left, pix above) gave Durban an appetizing taste of the literary elegances  distilled  in Bloemfontein and the Free State when he recited at two events paying homage to Black Consciousness thinker and activist, Stephen Bantu Biko.  

Khotseng first enthralled the lovers of the spoken word and the young people most of whom expressed their connection to Biko’s ideals and thoughts because of their daily realities and experiences in the township at the Remembering Biko: Conversations and Verses event held at Ntuzuma F Library on the 11 September 2015.  This event was jointly hoisted by Slam Poetry Operation Team (SPOT) and its sister organization, the Nowadays Poets, and Ubuciko Bomlomo Infotainment.



An exponent of Black Consciousness himself, Khotseng (above, at the occasion) eloquently shared the personal and socioeconomic experiences that brought him into the broad Black Consciousness Movement and motivated him to employ literature and community work as mediums of self-healing, community-healing, sociopolitical awareness and development.  As a child Khotseng witnessed his family moving from a relatively adequate house and site to a three-room house built by the apartheid regime as a result of the forceful removal of his community from Batho location to Rocklands. 

As if this was not enough, his migrant labour father was tricked by a policeman who convinced him     to exchange his three-room house for a two-room house in Bochabela ostensibly because of the latter’s proximity to the city. This experience and the broad socioeconomic conditions of Black people saw Magic Khotseng becoming a student activist, first with Congress of Azanian Students Organization and later with Azaanian Students Movement.  His activism in Black Consciousness Movement led him to conferences and campaigns in which he experienced and was inspired by the performances of Ingoapele Madingoane, Matsemela Manaka and Mafika Gwala.

Khotseng experience of growing without a mother, literally being raised by the community, motivated him to work with the displaced children – so-called street kids- through the Iphahamiseng Community Child Centre.  His work with these children resulted in his debut poetry collection,  Hold Back Your Tears”.   His upcoming book, which is earmarked to be launched in 2016, “The Son will grow”, is dedicated to his mother and the community of Mangaung which taught him that a child is raised by a community.  

Khotseng’s story resonated well with the young people from the INK area (Inanda, Ntuzuma and Kwamashu), which was selected as the nodal point for the government’s urban renewal program and has one on the highest levels of poverty and unemployment. But it is when he articulated himself in the language of poetry and music, teaching the young people some of the classic freedom songs and reciting sociopolitical poetry that Khotseng had the audience on the feet, calling for more.

The piece that caught the imagination of the audiences was “If wishes were horses”.  In this poem Khotseng eulogizes    the colorful, exotic    and breath-taking natural beauty of mother Africa. He takes the readers\audiences on an idyllic tour of the continent where they walk in Masai Park enjoying the serene beauty of Kenyan landscape, climbing mount Kilimanjaro and taking a dive in the Atlantic Ocean, and then ruthlessly wakes them up from their slumber with subtle but poignant allusion to the socioeconomic realities and systemic and structural arrangements that are a barrier to the capacity of the majority of Black African people to tour their countries and their continent, let alone access some of the most exquisite and historical sites in Africa. 

Indeed, the striking beauty of this poem and the emotive political undertones it carries were manifested when the audience asked for it on the following day, on the 12 September when Magic Khotseng performed his set for the annual Outer National Verses for Biko and Tosh which was held at Ekhaya Arts Centre in KwaMashu 

Khotseng’s Durban recital comes few weeks before one of Mangaung’s son and perhaps one of the most industrious and committed young  literary activist and cultural worker Free State,  Serame ‘Icebound’ Makhele will be featured in the prominent Poetry Africa Festival hosted by the UKZN’s Centre for Creative Arts (CCA)  from the 12th October  to the 17th  October 2015.

Icebound is a founder and convener of Bloem Poetry Movement which hosts monthly sessions in collaboration with PACOFS. Bloem Poetry has developed performance skills of many local poets. Icebound was selected to coordinate the Macufe Poetry Festival in 2014 and is currently part of the Free State Cultural Ensemble initiated by the provincial Legislature. 

The ensemble includes dance, music, drumming and poetry and has performed in this year’s Africa Day Celebrations and FS Women’s Month dialogues. If the poetic magic that Khotseng exhibited at Verses for Biko and Tosh is anything to go by, the Durban audience can prepare themselves to be bewitched by the Bloemfontein literary potion when Icebound takes the stage at Poetry Africa.


Friday, 11 September 2015

SABATA-MPHO MOKAE reviews Free State of Mind




Book: Free State of Mind
Authors: Nthabiseng Jafta, Rita Chihawa and Lebo Leisa
Publisher: Jah Rose Productions


Reviewed by Sabata-mpho Mokae

Three Bloemfontein-based poetesses; Nthabiseng Jafta, Rita Chihawa and Lebo Leisa have collaborated in a new poetry anthology, Free State of Mind. The title of the anthology is derived from the name of their home province, the Free State.

The title, to begin with, indicates that the trio are to present to the reader a no-punches-spared, unrestricted poetry.

In her poem, Brown bag, Jafta relates the story of an ordinary woman whose strengths are often overlooked because she is unassuming. The poem can be said to be a tribute to that woman.

“She took her time to open her brown bag/ that she heavily carried on her back/ long distances she would walk/ to home from work.”

Then in another poem, Another brown bag, which can be said to be another side of the coin, if not a sequel to the first, Jafta tells of another woman. This time, an urban dweller with no strings like children attached to her.

Both poems speak to the varied faces of womanhood.

Chihawa says that she was inspired by other women in her life; her mother and sisters.

“I observed how they went through different phases of their lives, how they overcame challenges and how they kept the tradition of sisterhood flowing.”

Most of her poems in this anthology speak of love; how it is elusive and longed for.

In a poem, Oh! I loved that man, she writes:

“With this black pen/ I will write my love for him/ I see him in my dreams/ To awake him not being here/ life is unfair/ he left . . .”

But she also pays tribute to womanhood. In a poem, Women of strength, she urges women to be strong because “nobody said it’s going to be easy”.

The trio are unapologetically feminist in their presentation. They challenge the status quo and established notions. They attempt to awaken a woman by opening her eyes to the strengths she possesses.

Leisa addresses a woman who was abandoned as a child in a poem, Thula Sana. She is wondering “where is her mother/ to hold her hand”.

In the introduction, a well-known poet/playwright Napo Masheane addresses the concept of ‘black women writings’. She hopes that the label would fall off and that people would also stop saying that it is ‘angry’ poetry.

“There is something powerful when women voices come together like a spider’s web. Because once the spider’s web has begun to weave its base, God, the universe and our ancestors send a thread. There is something magical, almost unbelievable when hands of women find words between their fingers.”

Masheane also quotes from Maya Angelou.

“A bird doesn’t sing because it has an answer, it sings because it has a song.”

The three poetesses have a song that they hope to get their audience to sing with them. Their stories, as contained and presented through their poems, are intertwined. This is mainly because of their shared background – all are black women who were raised in the time of freedom in South Africa. 

It is therefore expected that they would add to the tradition of post-apartheid women’s poetry. Their politics are closer to home than that of their predecessors. To them the struggle is more innate. The personal is political.   

That the trio also performs on stage, their to-and-fro migration from page to stage and vice versa seem effortless and relatively successful. Like all performed poems, most of their poems are easy on the ear just as they can engage the reading audience...
 
There are also some poems written in Sesotho and some carrying titles in Nguni languages.

O Bolaji writes in the foreword that this book is a ‘literary repast’.

This is one hell of a good book. Not only for women, but for all genders and races.