"Perhaps the unusual thing about this African author, and his
books - published some fifty years ago - is that he was sexually explicit in
his writings at a time this was rare in African literature. And so it is in
this particular work. I did some research on the author (he was born in, and
died in Cameroon) and learned that during his lifetime he did on a personal
level relish taking his pleasure from/with women. Dipoko actually boasted in an
interview: "I became for many years what you might call a travelling
lover, a dreamer searching for God between women's thighs... I was like an
angel stuffing recoil-less erections into just where they are most needed -
into the fleshy folds of winter!...each divine thrust was like stuffing your
women with yet another trump card of desire..." So one might say the
author somewhat set out his own stall unapologetically; and this reflected in
his fiction, and poems. There is no doubt that he is a fine writer though, as
this novel shows. And Dipoko depicts a particular community very well, and the
people. It is a rural ambiance, and we get to read about the usual goings-on in
the village, for men and women, intrigues, affairs, pastimes, drawing water
from the river, politics etc. The ordinary people are focused on, and how life
steadily and stealthily goes on. As for the sex, it is graphic enough without
being vulgar, and the intercourse is mutually enjoyed...with the physical
delights being stressed "life was so sweet and wonderful because of
women" - Eric
Tuesday, 22 September 2015
GARLANDS FOR THAMI MAZWAI
Veteran journalist Dr Thami Mazwai was honoured with glowing
tributes from fellow contemporaries at a recent luncheon held in his honour at
the SAB World of Beer Heritage Centre in Johannesburg September 12.
Boasting a sterling journalism career spanning more than 40
years, Mazwai has been recognizable figure and a leading light in the South
African media industry, local political landscape as well as an outspoken
proponent of black empowerment (BE).
An array of celebrated black journalists lined up to bestow
praises on Mazwai at the event, whose highlight was a decision to publish a
book chronicling the stalwart’s illustrious
career and other aspects of life as media activist and BE campaigner.
Welcoming guests, former City Press political editor Sello
Sekola paid tribute to the father of
Black Consciousness philosophy Steve Biko as well as media personalities and
journalists who recently went the way of
flesh – such as former City Press and Sowetan senior journalist Mike
Ndlazi, former World and Weekend World and Rand Mail journalist maSophie Tema
and Elizabeth Manana Ndulula, long-time editorial secretary at World, Post
Transvaal and Sowetan.
Mazwai-lifetime friend and veteran journalist Joe Thloloe
told the gathering that their association stretched to more than 50 years ago. Heremembered
recruiting students for the Pan Africanist Congress those days, including
explaining to Mazwai what Pan African stood for in the context of South African
politics and persuading him to join the liberation struggle.
Mazwai’s career as a journalist started 1969, having joined
the Golden City Post as a cub reporter at the time. He had been expelled from
the University College of Fort Hare the previous year. He was detained in June
1981 for interviewing one of the June 1976 student leaders Khotso Seatlholo,
after which he refused to give evidence and was sent to jail for 18 months - in
addition to the eight months already spent in detention.
He is the former news editor of Post and later Sowetan,
where he also served as Day Editor. He holds an honorary doctorate from Rhodes
University.
Other achievements include also being the owner of the
defunct Enterprise magazine; former director of small business at the Univesity
of Johannesburg and current resident executive at Wits Business School.
Thloloe, who went to prison for his political activities in
1963, recalls: "I came back from prison as a member of PAC ‘s Viljoenskroon
branch. Mazwai came back also come back from Robben Island as a journalist. Our
life after these experiences was to enrich sheeben queens. I drank just a bit. And
Thami had the same problem.”
Of course, drinking “just a bit” was a real understatement,
considering how journalists of the time lived for the bottle and often starting
their mornings almost goofy-eyed. Hardly surprising then that both Thloloe and
Mazwai launched their working careers right at the source of their drinking
troubles – at the liquor store.
Both would inevitably report for duty barely sober and much
less leave work in steady feet.
"From working for the municipality-owned bottle store,
we went on to become Data Capturers, and we both stopped drinking. Both later
joined The World and Weekend World, and got involved in the activities of the Union
of Black Journalists. It is very sad to see the Media Workers Association of
South Africa in the state it is now.
"We became targets of the system. We were detained and
tortured, and even today Mazwai is still in the forefront of that struggle of fighting
for the black community. He has being invited as a visiting professor for the
University of the Western Cape. He is still a brother to us and the black
community,” Thloloe summed up their parallel lives with nostalgia.
Former City Press Mathatha Tsedu said he came from the then
Northern Transvaal, now Limpopo province, reporting first for Post Transvaal
and later Sowetan under news editor Mazwai . Tsedu said the late Ndulula served
as a link between Mazwai and the newsroom at both papers. He said Ndulula, a highly
competent and empathic Dictaphonist, was
a great and ever-reliable help to journalist who filed from outlying areas as
she would step in to help with timely grammatical corrections during phone-in
sessions.
“I worked with Bra Thami in two ways, both as reporter and
as a fellow union activist at the Writers Association of South Africa. He came
to lunch at a union branch in Limpopo. The lunch happened at Dan Langa's house.
Thami became the treasurer of the union, and there was no holy cows during his
stint. The union used different means to access funds from the International
Federation of Journalists.
"The apartheid police banned meetings of WASA. Bra
Thami was very strict and would always question the role of liberals in the
struggle. I remember this very well. Mike Tissong was around that time in those
meetings. When Bra Thami wanted a story, you just had to deliver. I remember
the day Mosibudi Mangena being released
from prison. At the time, the release of a political activist from prison was a
big story. Thami wanted the story of Mangena’s release to be written as soon as
possible to ensure that Sowetan was not
scooped by other newspapers."
Tsedu recalled Mazwai saying that he had messed-up his front
page after he(Mathatha) was briefly detained and released the same day. Mazwai
fought for his salary to be paid while he was banned and in detention. Mazwai
was indeed at the forefront of the battles of black journalism.
Journalist-turned-entrepreneur Morakile Shuenyane said one
undeniable thing about Mazwai was that “he is a man of essence”. He said there were two factors which nurtured
Mazwai's life: "It is who you are
born. That is used to shape someone’s essence and the case of many people.”
Shuenyane said the other
key element was audacity, Mazwai was no doubt courageous. “ I remember the days
of the World newspaper when Thami used to say that he is writing a front-page
story and nobody in the newsroom would beat him for the cover of the front
page. He would boast that I am the man! Thami was first a Black man, second a
journalist."
Shuenyane praised Mazwai for changing Sawubona to a
publication of black business. He added that even Enterprise Magazine, a
business publication once owned by Mazwa, pushed the black agenda. According to
Shuenyane, Enterprise magazine was a black project and championed the agenda of
black community in business.
Bokwe Mafuna, founder of the Union of Black Journalists who
also worked at the now-defunct Rand Daily Mail, said he was happy to speak at
the occasion to honour Mazwai. He said the Mazwai event was an opportunity to
focus on the development of journalism in South Africa. He urged fellow
journalists to follow the example of stalwarts like PQ(Percy Qoboza).
Mafuna said he came from Mahikeng to join the Rand Daily
Mail. He said he was a migrant worker, selling sweets on the trains before
joining trade unionism. He said was not educated and did not even have JC
(Grade 10).
"I said I am coming in. It is good that today we are
able to express the pain that we are feeling. I did not know the Afrikaans language
and Ike Segola helped me to do court reporting in the Rand Daily Mail. We were
all separated in some little cluster. I was James Mafuna and changed to Bokwe
because of the Black Consciousness Philosophy."
Mafuna remembers how his picture won an award, but it was
not credited to him but to someone else. "I could not do anything. It was the
apartheid system in the newspapers. The police would ask for pass book. We were not registered at the Rand
Daily Mail. It was a situation that made us look different from other
journalists. We realized that there was a need to be organized and ours was a
political struggle.
"The thinking and feeling behind the Union of Black
Journalist came as a result. We need to record our our history. Black
journalists need to record this rich history of the struggle for the next
generation; the richness of our experience in this country. We are creating
history. I worked on radio overseas. I have been taking pictures. Malcom X said
we must learn from the Devil. The problem with us, black people, is that we don’t
record these things. We still need to catch-up. I took pictures of Steve Biko
and worked with him but I don’t have these pictures today. We should be on each
other’s shoulder to progress as black people."
Joe Mdhlela, former journalist who worked with Mazwai on the
Sowetan, said there were many things he had learned from Mazwai. In his time, Mazwai
worked very hard, and even now he was still the same workhorse. Mdhlela said he
still regarded Mazwai as a first-rate journalist.
"We need this hard tough master. Yes, it is almost
difficult to please everybody all the time. Mazwai is a compassionate person.
He is a thread of good journalism; a hard taskmaster. He expected others to be
self-driving. He always initiated the breaking of good stories. He was a leader.
He showed the country that every black child is capable of becoming anything he
wants to be despite difficulties."
Former business-journalist-and –newspaper-executive Mzimkhulu
Malunga said thanked Mazwai for where he was today in life. He knew Mazwai
since 1989 when he hired him at the Sowetan as a business journalist.
Willy Bokala, former World journalist and Sowetan news
editor, said he got into the newspaper through the back door. He said the then
World sports editor Leslie Sehume had asked him to report on local football in
White City before PQ intervened and asked him to join the newsroom as news
reporter instead. Before that, he was worked as Telex operator. He said Mazwai
trusted as he sent him to dangerous assignments like the June 1976 upsurge.
Len Kalane said he implemented to good effect what Mazwai taught
him in journalism. He said he knew Mazwai for 42 years. Mazwai was the chief reporter
the first time he met him at the World.
Mazwai knew how to
write good stories, Kalane said. He hoped that South Africa would remember the
role Mazwai played in journalism. He was a tough master and the best-ever news
editor in the country.
Professor Sipho Seepe said Mazwai re-invented himself from
being a journalist to a business person, intellectual and scholar. Seepe said
Mazwai and his colleagues looked at South Africa through through the prism of
blackness.
Gabu Tugwana, also a veteran sports journalist and one the
former editors of the defunct New Nation, said he joined journalism through
Mazwai, who had played an important role in his life.
"I am here because of bra Thami. I want to take this opportunity to thank you."
Mazwai’s protégé Len Maseko gave a book to Mazwai as gift in gratitude for recruiting him as a 21-year-old – his first job – back in 1980 on the Post Transvaal.
The event was organised by a group of Independent veteran journalists with the kind sponsorship of the SAB World of Beer Heritage.
Friday, 18 September 2015
TIISETSO THIBA's DEBUT BOOK!
Title: LET'S TAKE A WALK MAMA
This collection of poems written by Tiisetso M Thiba encompasses poems written from various motions and seasons, by learning how life
unfold its self and treat the living soul. Life is a precious thing, though is
precious sometimes it can make folks tattered, make them love, loathe, smirk and
prank at point of times. This line simply takes you through the book and grants
you a light of what book entails.
To those in
the know of literary fraternity, there is a frisson of palpable excitement as
the book comes into fruition. Tiisetso Thiba the author is a close to born a
poet as any wordsmith can be. And he writes his poems from intrinsic
motivation, influenced by manifestations in his surroundings. One can say this
book is a special one for the author because it comprises lots of affection,
sorrows, ebullient and expression of inner being.
The author doesn’t wary away to write about, politics state, and milady that fading society and xenophobia’s that takes place in countries frequently and tar the world apart. But on this book he verdict to make it personal and it is a mirror of a society because anyone can relate to it.And most importantly I would like to dedicate my sincere gratitude to my Brothers and Sisters, my lovely Parents and friends for their loyal support. God loves us all.
The author doesn’t wary away to write about, politics state, and milady that fading society and xenophobia’s that takes place in countries frequently and tar the world apart. But on this book he verdict to make it personal and it is a mirror of a society because anyone can relate to it.And most importantly I would like to dedicate my sincere gratitude to my Brothers and Sisters, my lovely Parents and friends for their loyal support. God loves us all.
Thiba is a
smooth fluent effortless poet, combining Eurocentric standard verses with
African authenticity. Over the years his multi-faceted appeared in many
newspaper, magazines, and journals and liberally on the internet.
Monday, 14 September 2015
FREE STATE POETS ENCHANT DURBAN
By Mphutlane
wa Bofelo
Free State
has some of the most prolific and finest writers in South Africa but in the
past they were seldom given enough national acknowledgement and platform to
showcase their work in various parts of the country.
Thankfully as a result of
the superb talent and literary achievements of several Free State born writers
both based in the province and in other provinces as well as efforts of
platforms such as Free State Writers and the Bloem Poetry Movement, many people
across South Africa and internationally are beginning to take note of and
interest in writers and poets from the Free State.
One of the exceptional literary activists from
the province, Bloemfontein-based poet and journalist, Raselebeli 'Magic' Khotseng (left, pix above) gave
Durban an appetizing taste of the literary elegances distilled
in Bloemfontein and the Free State when he recited at two events paying
homage to Black Consciousness thinker and activist, Stephen Bantu Biko.
Khotseng
first enthralled the lovers of the spoken word and the young people most of
whom expressed their connection to Biko’s ideals and thoughts because of their
daily realities and experiences in the township at the Remembering Biko:
Conversations and Verses event held at Ntuzuma F Library on the 11 September
2015. This event was jointly hoisted by
Slam Poetry Operation Team (SPOT) and its sister organization, the Nowadays
Poets, and Ubuciko Bomlomo Infotainment.
An exponent of Black Consciousness himself,
Khotseng (above, at the occasion) eloquently shared the personal and socioeconomic experiences that
brought him into the broad Black Consciousness Movement and motivated him to
employ literature and community work as mediums of self-healing,
community-healing, sociopolitical awareness and development. As a child Khotseng witnessed his family
moving from a relatively adequate house and site to a three-room house built by
the apartheid regime as a result of the forceful removal of his community from
Batho location to Rocklands.
As if this was not enough, his migrant labour
father was tricked by a policeman who convinced him to exchange his three-room house for a
two-room house in Bochabela ostensibly because of the latter’s proximity to the
city. This experience and the broad socioeconomic conditions of Black people
saw Magic Khotseng becoming a student activist, first with Congress of Azanian
Students Organization and later with Azaanian Students Movement. His activism in Black Consciousness Movement
led him to conferences and campaigns in which he experienced and was inspired
by the performances of Ingoapele Madingoane, Matsemela Manaka and Mafika Gwala.
Khotseng experience of growing without a
mother, literally being raised by the community, motivated him to work with the
displaced children – so-called street kids- through the Iphahamiseng Community
Child Centre. His work with these
children resulted in his debut poetry collection, “Hold Back Your Tears”. His upcoming book, which is earmarked to be
launched in 2016, “The Son will grow”, is dedicated to his mother and the
community of Mangaung which taught him that a child is raised by a
community.
Khotseng’s
story resonated well with the young people from the INK area (Inanda, Ntuzuma
and Kwamashu), which was selected as the nodal point for the government’s urban
renewal program and has one on the highest levels of poverty and unemployment.
But it is when he articulated himself in the language of poetry and music,
teaching the young people some of the classic freedom songs and reciting
sociopolitical poetry that Khotseng had the audience on the feet, calling for
more.
The piece
that caught the imagination of the audiences was “If wishes were horses”. In this poem Khotseng eulogizes the colorful, exotic and breath-taking natural beauty of mother
Africa. He takes the readers\audiences on an idyllic tour of the continent
where they walk in Masai Park enjoying the serene beauty of Kenyan landscape,
climbing mount Kilimanjaro and taking a dive in the Atlantic Ocean, and then
ruthlessly wakes them up from their slumber with subtle but poignant allusion
to the socioeconomic realities and systemic and structural arrangements that
are a barrier to the capacity of the majority of Black African people to tour
their countries and their continent, let alone access some of the most
exquisite and historical sites in Africa.
Indeed, the
striking beauty of this poem and the emotive political undertones it carries
were manifested when the audience asked for it on the following day, on the 12
September when Magic Khotseng performed his set for the annual Outer National
Verses for Biko and Tosh which was held at Ekhaya Arts Centre in KwaMashu
Khotseng’s Durban recital comes few weeks
before one of Mangaung’s son and perhaps one of the most industrious and
committed young literary activist and
cultural worker Free State, Serame
‘Icebound’ Makhele will be featured in the prominent Poetry Africa Festival
hosted by the UKZN’s Centre for Creative Arts (CCA) from the 12th October to the 17th
October 2015.
Icebound is a founder and convener of Bloem
Poetry Movement which hosts monthly sessions in collaboration with PACOFS.
Bloem Poetry has developed performance skills of many local poets. Icebound was
selected to coordinate the Macufe Poetry Festival in 2014 and is currently part
of the Free State Cultural Ensemble initiated by the provincial Legislature.
The ensemble includes dance, music, drumming and poetry and has performed in
this year’s Africa Day Celebrations and FS Women’s Month dialogues. If the
poetic magic that Khotseng exhibited at Verses for Biko and Tosh is anything to
go by, the Durban audience can prepare themselves to be bewitched by the
Bloemfontein literary potion when Icebound takes the stage at Poetry Africa.
Friday, 11 September 2015
SABATA-MPHO MOKAE reviews Free State of Mind
Book: Free State of Mind
Authors: Nthabiseng Jafta, Rita Chihawa and Lebo Leisa
Publisher: Jah Rose Productions
Reviewed by Sabata-mpho Mokae
Three Bloemfontein-based poetesses; Nthabiseng Jafta, Rita Chihawa and Lebo Leisa have collaborated in a new poetry anthology, Free State of Mind. The title of the anthology is derived from the name of their home province, the Free State.
The title, to begin with, indicates that the trio are to present to the reader a no-punches-spared, unrestricted poetry.
In her poem, Brown bag, Jafta relates the story of an ordinary woman whose strengths are often overlooked because she is unassuming. The poem can be said to be a tribute to that woman.
“She took her time to open her brown bag/ that she heavily carried on her back/ long distances she would walk/ to home from work.”
Then in another poem, Another brown bag, which can be said to be another side of the coin, if not a sequel to the first, Jafta tells of another woman. This time, an urban dweller with no strings like children attached to her.
Both poems speak to the varied faces of womanhood.
Chihawa says that she was inspired by other women in her life; her mother and sisters.
“I observed how they went through different phases of their lives, how they overcame challenges and how they kept the tradition of sisterhood flowing.”
Most of her poems in this anthology speak of love; how it is elusive and longed for.
In a poem, Oh! I loved that man, she writes:
“With this black pen/ I will write my love for him/ I see him in my dreams/ To awake him not being here/ life is unfair/ he left . . .”
But she also pays tribute to womanhood. In a poem, Women of strength, she urges women to be strong because “nobody said it’s going to be easy”.
The trio are unapologetically feminist in their presentation. They challenge the status quo and established notions. They attempt to awaken a woman by opening her eyes to the strengths she possesses.
Leisa addresses a woman who was abandoned as a child in a poem, Thula Sana. She is wondering “where is her mother/ to hold her hand”.
In the introduction, a well-known poet/playwright Napo Masheane addresses the concept of ‘black women writings’. She hopes that the label would fall off and that people would also stop saying that it is ‘angry’ poetry.
“There is something powerful when women voices come together like a spider’s web. Because once the spider’s web has begun to weave its base, God, the universe and our ancestors send a thread. There is something magical, almost unbelievable when hands of women find words between their fingers.”
Masheane also quotes from Maya Angelou.
“A bird doesn’t sing because it has an answer, it sings because it has a song.”
The three poetesses have a song that they hope to get their audience to sing with them. Their stories, as contained and presented through their poems, are intertwined. This is mainly because of their shared background – all are black women who were raised in the time of freedom in South Africa.
It is therefore expected that they would add
to the tradition of post-apartheid women’s poetry. Their politics are closer to
home than that of their predecessors. To them the struggle is more innate. The
personal is political.
That the trio
also performs on stage, their to-and-fro migration from page to stage and vice
versa seem effortless and relatively successful. Like all performed poems, most
of their poems are easy on the ear just as they can engage the reading
audience...
There are also some poems written in Sesotho and some
carrying titles in Nguni languages.
O Bolaji writes in the foreword that this book is a ‘literary repast’.
This is one hell of a good book. Not only for women, but for all genders and races.
O Bolaji writes in the foreword that this book is a ‘literary repast’.
This is one hell of a good book. Not only for women, but for all genders and races.
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