By Mphutlane
wa Bofelo
Free State
has some of the most prolific and finest writers in South Africa but in the
past they were seldom given enough national acknowledgement and platform to
showcase their work in various parts of the country.
Thankfully as a result of
the superb talent and literary achievements of several Free State born writers
both based in the province and in other provinces as well as efforts of
platforms such as Free State Writers and the Bloem Poetry Movement, many people
across South Africa and internationally are beginning to take note of and
interest in writers and poets from the Free State.
One of the exceptional literary activists from
the province, Bloemfontein-based poet and journalist, Raselebeli 'Magic' Khotseng (left, pix above) gave
Durban an appetizing taste of the literary elegances distilled
in Bloemfontein and the Free State when he recited at two events paying
homage to Black Consciousness thinker and activist, Stephen Bantu Biko.
Khotseng
first enthralled the lovers of the spoken word and the young people most of
whom expressed their connection to Biko’s ideals and thoughts because of their
daily realities and experiences in the township at the Remembering Biko:
Conversations and Verses event held at Ntuzuma F Library on the 11 September
2015. This event was jointly hoisted by
Slam Poetry Operation Team (SPOT) and its sister organization, the Nowadays
Poets, and Ubuciko Bomlomo Infotainment.
An exponent of Black Consciousness himself,
Khotseng (above, at the occasion) eloquently shared the personal and socioeconomic experiences that
brought him into the broad Black Consciousness Movement and motivated him to
employ literature and community work as mediums of self-healing,
community-healing, sociopolitical awareness and development. As a child Khotseng witnessed his family
moving from a relatively adequate house and site to a three-room house built by
the apartheid regime as a result of the forceful removal of his community from
Batho location to Rocklands.
As if this was not enough, his migrant labour
father was tricked by a policeman who convinced him to exchange his three-room house for a
two-room house in Bochabela ostensibly because of the latter’s proximity to the
city. This experience and the broad socioeconomic conditions of Black people
saw Magic Khotseng becoming a student activist, first with Congress of Azanian
Students Organization and later with Azaanian Students Movement. His activism in Black Consciousness Movement
led him to conferences and campaigns in which he experienced and was inspired
by the performances of Ingoapele Madingoane, Matsemela Manaka and Mafika Gwala.
Khotseng experience of growing without a
mother, literally being raised by the community, motivated him to work with the
displaced children – so-called street kids- through the Iphahamiseng Community
Child Centre. His work with these
children resulted in his debut poetry collection, “Hold Back Your Tears”. His upcoming book, which is earmarked to be
launched in 2016, “The Son will grow”, is dedicated to his mother and the
community of Mangaung which taught him that a child is raised by a
community.
Khotseng’s
story resonated well with the young people from the INK area (Inanda, Ntuzuma
and Kwamashu), which was selected as the nodal point for the government’s urban
renewal program and has one on the highest levels of poverty and unemployment.
But it is when he articulated himself in the language of poetry and music,
teaching the young people some of the classic freedom songs and reciting
sociopolitical poetry that Khotseng had the audience on the feet, calling for
more.
The piece
that caught the imagination of the audiences was “If wishes were horses”. In this poem Khotseng eulogizes the colorful, exotic and breath-taking natural beauty of mother
Africa. He takes the readers\audiences on an idyllic tour of the continent
where they walk in Masai Park enjoying the serene beauty of Kenyan landscape,
climbing mount Kilimanjaro and taking a dive in the Atlantic Ocean, and then
ruthlessly wakes them up from their slumber with subtle but poignant allusion
to the socioeconomic realities and systemic and structural arrangements that
are a barrier to the capacity of the majority of Black African people to tour
their countries and their continent, let alone access some of the most
exquisite and historical sites in Africa.
Indeed, the
striking beauty of this poem and the emotive political undertones it carries
were manifested when the audience asked for it on the following day, on the 12
September when Magic Khotseng performed his set for the annual Outer National
Verses for Biko and Tosh which was held at Ekhaya Arts Centre in KwaMashu
Khotseng’s Durban recital comes few weeks
before one of Mangaung’s son and perhaps one of the most industrious and
committed young literary activist and
cultural worker Free State, Serame
‘Icebound’ Makhele will be featured in the prominent Poetry Africa Festival
hosted by the UKZN’s Centre for Creative Arts (CCA) from the 12th October to the 17th
October 2015.
Icebound is a founder and convener of Bloem
Poetry Movement which hosts monthly sessions in collaboration with PACOFS.
Bloem Poetry has developed performance skills of many local poets. Icebound was
selected to coordinate the Macufe Poetry Festival in 2014 and is currently part
of the Free State Cultural Ensemble initiated by the provincial Legislature.
The ensemble includes dance, music, drumming and poetry and has performed in
this year’s Africa Day Celebrations and FS Women’s Month dialogues. If the
poetic magic that Khotseng exhibited at Verses for Biko and Tosh is anything to
go by, the Durban audience can prepare themselves to be bewitched by the
Bloemfontein literary potion when Icebound takes the stage at Poetry Africa.
No comments:
Post a Comment