Tuesday, 19 March 2019

KALU OKPI - Prolific Writer of Thrillers!





Kalu Okpi is synonymous with some of the most exciting "popular" fiction, or thrillers published in Africa over the years. A remarkably imaginative writer of prose and drama, Okpi deserves much more attention even in recent times.

He published some ten works of gripping fiction, starting with The Smugglers in the 70s. In many other works, like On the Road, Crossfire, Coup!, Love, he created interesting characters, including delectable women. In a novel like The South African Affair, the usual stunning plot, twists and turns, and startling finale make for powerful reading. 



International scholars do recognise Okpi's contributions to interesting African fiction - at least some of them, as witness certain major anthologies and books on African Literature in general. But Okpi's work and impact deserve much more attention.
In many ways, he was a versatile writer, and stylist - he was in fact a scriptwriter for the national television of Nigeria (NTA). He also published a play titled ECHOES: a play in 5 Scenes.

It is often suggested that "popular writers" are essentially undermined, with a dearth of real studies or full-length works produced on their ouvre. This is certainly not the case overseas, with hundreds of studies and books regularly written and published on the likes of Agatha Christie, Enid Blyton, Philip Roth, John Updike, R L Stevenson, and countless others. Why should the situation be different in Africa, or specifically in Nigeria which has such a vibrant literary history and community?



We must celebrate, enjoy the literary contributions of the likes of Okpi, Victor Thorpe, and the great Ekwensi. Many monographs should be published on them, which would include appraisals of their published work, positive and negative. Here, for example, is some criticism of Okpi s novel, Love changes Everything.(by Erl, on goodreads) :

“… The plot has holes on every page so large you could drive a Mack truck through them. Additionally, it promotes wrong-headed ideas such as love at first sight and revenge. A woman who is traumatized by witnessing her parents' murder will not be able to "lay the ghosts to rest" by committing additional murders. Lastly, the protagonist, a major rock star, decides to sell all his assets for half a million US dollars. Half a million-- really? He then proceeds to spend so much money on the next few pages that he is certainly broke by the end of the chapter, but there is no mention of that. .. ‘

Kalu Okpi, rather like the Eurocentric writers Mark Twain, Agatha Christie, or even James Hadley Chase gave a lot of pleasure to (African) readers via his well written novels or thrillers.  His legacy must be kept alive, with at least 2, 3 - or much more - full-length studies, biographies et al focused on his life, times, and of course, his prolific creative work.
-         O Bolaji

4 comments:

  1. I agree, Sir. I agree. We must do more to promote, somewhat immortalise our fine African writers.

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  2. One shudders - thinking of the literary heights Okpi would have reached, if he had not died young. But his body of work of many books published is permanent legacy.

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  3. My elder brother used to describe Okpi as the most prolific and dramatic writer of books in Africa. His books dotted our house, and many others, in those days. His legacy must be kept alive.

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  4. Thank you for honoring my dad's legacy in such a beautiful way.

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