Thursday 22 April 2021

Celebrating Joe Thloloe

 


On April 10 (2021) a tiny knot of journalists, mostly those who have retired and a sprinkling of young ones met in Soweto to pay homage to one of their own, the revered South African wordsmith, Joe Nong Thloloe. The setting was the 16 June Memorial Acre in White City Jabavu although some residents of Central Western Jabavu claim this historic piece of real estate is in their township.

Thloloe has warded off the ageing process rather well. He is turning 79 in a few months but does not look much different from the individual I met nearly fifty years ago as a rookie journalist, in 1973 to be precise.

Many of those journalists who started out with him are no more. Contemporaries that readily come to mind are Aggrey Klaaste, Juby Mayet and those who were a few years older such as Stan Motjuwadi and Casey Motsisi.

Thloloe straddles many generations in the history of black journalism in this country. He came towards the tail end of Drum magazine’s golden era. Then he Hushered some of us and the likes of Willie Bokala, Maud Motanyane, Pearl Luthuli, the late Ruth Bhengu, Duma Ndlovu and too many to mention at the height of Black Consciousness.

When the SABC was forced to cast off its function as a propaganda machinery of the National Party, Thloloe was among a team head hunted to ring in changes within this institution which plays a critical role in shaping public opinion.

He entered the profession at a time when the era immortalised by iconic figures like Henry Nxumalo, Can Themba and symbolised by the destruction of Sophiatown was coming to an end.This was the era of Drum magazine. Nxumalo had been killed several years earlier. Themba had quit journalism to take up teaching in Swaziland now Eswatini. Others had sought greener pastures abroad.

When Thloloe immersed himself fully in journalism the political landscape on the continent had changed 360 degrees. The winds of change were sweeping throughout from Morocco to Madagascar. Apartheid police became even more vicious culminating in the Sharpeville and Langa massacres on March 21.

On that fateful day on March 21 1960, 18 years old Thloloe was part of those who marched with the Pan Africanist Congress leaders including Robert MangalisoSobukwe in a historic protest march against the Pass Laws. These laws ignominously compelled African males over 16 years to carry on their persons all the time an identity document specific to Africans only. Failure to produce such a document was a criminal offence.

The March 21 anti Pass campaign marked the turning point in the politics of South Africa. In the wake of the Sharpeville and Langa massacres, Pretoria went a step further by outlawing the less than one year old PAC and the much older African National Congress. The politics of deputations and pleadings with the latter day pharaohs had come to an end.

Both the PAC and ANC embarked on the armed struggle, the PAC in particular orchestrated the expulsion of South Africa from the United Nations and the country became a pariah in most parts of the world. For his participation in the March 21 campaign Thloloe earned himself a spell in prison.

Imprisonment was to scar his life intermittently for almost the next thirty years until the unbanning of political parties in 1990. His second spell in prison came in 1976 when he was detained for four months. Typical of the times, he was not given reasons for his incarceration. As his colleagues, we knew why. His sin was being a journalist and leader of our union, the Union of Black Journalists. He was also a good and bloody stubborn journalist. Being a good journalist and known but hard to proof PAC connections was too potent a brew the Boers could not stomach. Hence the arbitrary detentions.

The following year he was detained for an even longer stretch 18 months. He was held under the so called Terrorism Act of 1967. If the security police hoped to break him with torture – he says there were occasions when they so viciously tortured him that he cried – they were wasting their time. He is as tough as nailshareds. He once told me how as a teenager his mother often despaired in trying to discipline him and in exasperation would shout unenkaniyeselesele. This is the sort of stubbornness that even those security police sadists, trained in all the techniques of inflicting pain could not subdue. He was banned for three years in 1981, then jailed between 1982 – 1984.

A former colleague Phil Mtimkulu says of Thloloe  ‘ I have lost count the number of times this guy was detained. In those days if I had not seen him for a stretch of time I knew he was arrested’, a sentiment echoed by fellow ex journalist and, friend ThamiMazwai.

As speaker after speaker shared fond memories of their interaction over the years with this towering Pan Africanist, it was, I think Oupa Ngwenya who summed up the true character of the man of the occasion when he said of him ‘In all the years we were colleagues at Sowetan, I don’t recall Bra Joe showing his struggle credentials or even shouting the PAC slogan of Izwelethu.

The April 10 gathering was a stirring celebration of a very modest but towering figure in politics, but largely journalism

- Mpikeleni Duma (Johannesburg)

Tuesday 13 April 2021

K. P. D MAPHALLA DIES !

  ... Legendary Sesotho Writer Gives up the Ghost



The literary world is in mourning after the news broke that legendary
Sesotho (South Africa) writer, K. P. D Maphalla, is dead. The pertinent
tributes keep on cascading with gusto.

As Wikipedia succinctly states: ‘Kgotso Pieter David (K.P.D.) Maphalla
(born 1955, South Africa) is a writer in the Sesotho language. An author of more than 40 books, Maphalla has received an honorary
doctorate from the University of the Free State, as well as a Lifetime
Achievement Award in Literature.
Amongst his many books (not to mention radio plays,) are the
following: Tahleho (drama); Tshiu tseo (novel); Kabelwamanong
(detective novel); Botsang lebitla (novel); Tsie lala (poetry);
Mahohodi (poetry); Dikano (poetry); Ditema (poetry); Fuba sa ka
(poetry); Kgapha tsa ka (poetry); Seitebatso (poetry); Sentebale
(poetry); A tale of two fathers (English novel); Mohlomong Hosane
(essays/short stories); Bashemane ba Dibataolong (novel).’

Indeed, one of Maphalla’s most popular books is Kabelwamanong, which has been lauded thus:


‘An action packed adventure that begins when a young cop, Tsheolo and
his two friends are hijacked and kidnapped. Their militant and
ruthless captors were from the neighboring country of Kgaphadiolo .
The intention was to use the three as Trojan horses against their own
country of Tsekanatsatsi. Tsheolo's friends do not come out alive.
Circumstances reduce Tsheolo to a refugee who is forced to do whatever
it takes in attempt to survive and to escape from that foreign land
(courtesy Puleng Hopper)

Pule Lechesa, South African author and critic who as a youngster and beyond was positively influenced by the prodigious works of Maphalla, said: 'It's the end of an era, a horrific loss. Maphalla was world class, consummately fecund,

vibrant and prolific. This hurts...in profound fashion,'

Lechesa has also authored a cardinal study (book) on Maphalla titled The
Awesome Literary Legacy of Dr KPD Maphalla . Here is how Google

Books describes the work: 'One thing that often depresses me about

African literature is that the works of many of its outstanding writers are completely unknown to the majority of readers in the continent especially when the writer puts pen to paper only in his or
her mother tongue. Eg how would Chinua Achebe’s name or works be known all over Africa and the world if he wrote only in his own Igbo language? I never knew anything about the writer, Dr Maphalla, until I saw and read this book (Maphalla writes in a South African language). But thanks to this superb study on Maphalla by the author Pule Lechesa, I now fully realise that Maphalla is one of Africa's greatest writers,’


SELECTED BIBLIOGRAPHY

Botsang lebitla by K. P. D Maphalla

Kgapha tsa ka by K. P. D Maphalla

Mahohodi by K. P. D Maphalla

Fuba sa ka by K. P. D Maphalla

Tahleho by K. P. D Maphalla

Tshiu tseo by K. P. D Maphalla

Kabelwamanong by K. P. D Maphalla

A tale of two fathers by K. P. D Maphalla

Ntekeletsane by K. P. D Maphalla

Dikano by K. P. D Maphalla( Book )

Monday 5 April 2021

AFRICAN WRITERS ON AFRICAN WRITING. By G. D Killam



An early, fascinating, revealing book focusing on African Literature. The title itself says it all - virtually all the outstanding early African writers by the early 70s, are touched upon here.


These writers include Chinua Achebe, Ayi Kwei Armah, Camara Laye, Es'kia Mphahlele, Lewis Nkosi, Ngugi wa Thiong'o, JP Clark, Okara, Ousmane, and even Nadine Gordimer of South Africa.

Many - or most of these superb writers are deceased now, but their great works live on - eg Achebe, Okara, Laye. How poignant it is now to be reading the thoughts and inspiration of the then young writers like Camara Laye, Achebe himself, Sembene Ousmane, and many others.

Decades ago, Armah's first superb novel, The beautyful ones are not yet born, came out and somewhat shocked the world. Here we read the review and early impressions of Ama Atta Aidoo in this book... Aidoo herself is one of the great early African female writers.

The essays here are generally polished, informative and illuminating - Achebe has at least three essays published here, and I was particularly impressed with how perceptive and (fairly) critical David Rubadiri was even in those days decades ago.

Lewis Nkosi (now deceased) had a reputation - since he was a young man - of being an acerbic though informed literary critic. In his essay here on SA Black writers, he hardly praises them, in fact he seems to dismiss most of them. Even the all time great Es'kia Mphahlele is not spared. I winced e.g when I read Lewis' "introduction" to Mphahlele as a writer in this book:

"In the past what had always put me off Mphahlele' s writing was a certain dullness of tone, much like the ponderous speech of a dull-witted person, so that it was often difficult to pursue the story to its ending. The gems were often embedded in a thick mud of cliche and lustreless writing ... Ezekiel would reflect in (a) clumsy manner..."

Literary fireworks

- Raphael Mokoena